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Talking All Things “Playful Tiger”

Tony Reekie moderates a talk with Natasha Gilmore, Artistic Director of Barrowland Ballet, who speaks about the production of Playful Tiger at the ASSITEJ Artistic Gathering 2019 in Kristiansand. It was an...

Ceren Oran’s Soundpainting Workshop

Listen to the soundscape above for a sense of this fascinating workshop that took place at the ASSITEJ Artistic Gathering 2019 in Kristiansand. For more information about...

The Perfect Balance with Toomas Tross

"Sometimes it's not the number that's important, or the trick that's important: for the audience, it's why you are in front of them. I believe, I...
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Lise Hovik’s Animalium Workshop

Check out the video above for some workshop highlights from the session delivered at the ASSITEJ Artistic Gathering 2019 in Kristiansand. Workshop Description:Through playing and improvisation exercises the workshop participants created...
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Fiona McDonagh and Dorothy Morrissey: Using Theatre to Trouble Gender with Young Children

A Paper by Fiona McDonagh and Dorothy Morrissey, Mary Immaculate College, University of Limerick (Ireland)Presented at the Conference of the International Theatre for Young Audiences Research Network (ITYARN), part of the...

Voices in Dialogue: Peter O’Connor

There was so much in the way of stimulating learning and idea-sharing at the 9th International Drama in Education Research Institute (IDIERI 9) in Auckland last year (2018) that it was impossible...

Exploring Techniques and Practices from the IDIERI 9 Workshops (Part 4)

Delegates at the 9th International Drama in Education Research Institute were treated to an abundance of exciting and engaging practical workshops during the 7-day event. To give you a flavour of what was on offer, the Dialogue team...

Q&A with Gaenor Stoate, Lucy Lott, Moe Gregorzewski, Eva Göksel, and Martha Lamont

https://youtu.be/mTRuTi_7msI Gaenor Stoate is a teaching fellow at the University of Waikato, lecturing in the Faculty of Education on secondary drama curriculum papers and also in the Faculty of Arts and Social Sciences where she teaches...

Gaenor Stoate: The tyranny of affective distance in the devised drama ensemble

This paper explores the concept of the devised drama ensemble, specifically students in their final year of secondary school curriculum drama in New Zealand’s National Certificate of Educational Achievement (NCEA) programme. Ensembles are established...

Madge Hair: Writing on Gumbaynggirr Country for Co-Created Theatre as Decolonising Practice

This presentation analyses the challenges and processes of cocreating pieces of musical theatre inspired by and responding to storylines from Gumbaynggirr country, mid-north coast, New South Wales. The central question posed by the presenter’s...