Embracing “Good Crazy” at Coming Full Circle
I went to see Coming Full Circle, a talk and documentary screening delivered by Jenny Anne Koppera. During her speech, Koppera spoke of establishing herinternational Theatre company, Spinning Dot Theatre. She began with the...
Art is a Free Voice?
Gunhild Bjørnsgård led a timely and relevant debate on whether we really have a free voice while creating Art. The discussion explored why Art is important to oneself and to society and...
Exploring the Producers’ Bazaar
Janni Younge, the multi-award winning South African Puppeteer, facilitated the Cradle of Creativity’s Producers' Bazaar on 22nd and 23rd May 2017 at The Masque Theatre in Muizenberg, Cape Town.
The Bazaar emphasised the importance of making interpersonal connections...
Musical Theatre for Education
As a part of the Cradle of Creativity's Focus Day on Music Theatre for Young Audiences, Tina Stodart delivered a Pecha Kucha about her work in Potchefstroom, South Africa.
In the following interview (6 minutes), she speaks about using...
Rite of Spring – A Personal Reflection
Theatre offers us, I believe, a space to express what cannot be said through words alone. Perhaps that is why I now find words to be insufficient in order to capture my experience of...
Ragnhild Tronstad: Artistic Quality and Audience Participation in Theatre for Young Audiences
A Paper by Ragnhild Tronstad, Kulturtanken – Arts for Young Audiences NorwayPresented at the Conference of the International Theatre for Young Audiences Research Network (ITYARN), part of the ASSITEJ Artistic Gathering 2019...
Simon Dennan: Babylon by Boal
Bob Marley visited the Pacific in 1979 with the Babylon by Bus tour. His influence, through his music, is still felt throughout Oceania as local musicians and audiences have adopted Reggae as an Oceanian...
Patrick Pheasant: Looking for Gold: International Students’ Aesthetic Experience in Language Education and Process...
Based on current research conducted at an Australian University English Language Centre, this paper explores parallels between a process drama in 2012 with international students studying in Australia and immigrants in London in 1850...
Alternative Dramaturgies for Cross-Cultural Productions and Productions which Represent the So-Called ‘Other’
In this talk, Mariken Lauvstad asks key questions for cross- and intercultural theatre production in our globalised world. How aware is the Western theatre apparatus of its Eurocentric worldview? When Western theatres...