About Us

Performing Dialogue is the trading name of Dialogue Community Performance, a Non-Profit Limited by Guarantee Company registered in England & Wales with company number 10676296 (Registered office address: 34 North Street, Bridgwater, Somerset, United Kingdom, TA6 3YD). Performing Dialogue is a a non-profit social enterprise. We aim to support and build the capacity of organisations and individuals worldwide who use Community Performance in their work.

Click here for more information about our work.

Featured Posts

Spirit Songs – Part 1

This is Part 1 of our materials on the production of Spirit Songs (click here for Part 2). Spirit Songs, the result of a collaboration between...

Appreciative Dialogue

As part of the Cradle of Creativity, Henrik Køhler and Peter Manscher from the Danish Teatercentrum (trans. Theatre Centre) ran a workshop to guide participants through a structured...

Checking in to Kristiansand

When I first started considering Theatre for Young Audiences (TYA) as a career option, I never in my wildest dreams would have...

Awakening the Senses

Sensescapes is an interactive and multi-sensory theatrical experience created specifically for babies. It challenges conventional aesthetics and proposes a unique concept for Theatre that connects...

What Would You Like to Transform?

The second Focus Day at the cultural hub of Gugu S’Thembe was on the topic of Theatre for Healing. Facilitators, Educators and Artists alike...

Performance Highlights from IDIERI 9

The Attitudes “I try to explore in my body and voice difference modes of white resistance to challenges about power and privilege. The physicality of...

Moe Gregorzewski: Interventions of Otherness? Developing a Critical Transcultural Pedagogy through Applied Theatre

I will explore how postcolonial perspectives on culture and migration can inform the development of a process drama-based Applied Theatre practice that encourages social...

Michael Finneran: Distance and tyranny: Understanding drama, democracy & politics

Drama claims a unique relationship with democracy, politics and citizenship. We assert it as our birthright: borne from the ancient Greeks to Brecht; from...

Over the Top

“Over The Top, is an ANZAC play that presents a theatrical insight into the lives of nine young people who enlisted in WW1 in...

Alexandra Lodge: Script-Down Script Development: Deaf Gain and Physical Dramaturgy in Aotearoa

This paper will discuss the development of my creative practice of Takitoru Dramaturgy. The practice originated in my doctoral research: the development of a...

Speaking with Mfundo Zono

MF: My name is Mfundo, and my surname is Zono. I’m from Eastern Cape, Port Elizabeth. I first studied at Magnet since 2014 and...

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